Review: My Dearest Holmes by Rohase Piercy

‘… The accounts of these cases are too bound up with events in my personal life which, although they may provide a plausible commentary to much of my dealings with Mr Sherlock Holmes, can never be made public while he or I remain alive …’

Although Dr Watson is known for recording some sixty of his adventures with the celebrated Sherlock Holmes, he also wrote other reminiscences of their long friendship which were never intended for publication during their lifetimes.

“Rescued from oblivion by Rohase Piercy,” here are two previously unknown stories about the great detective and his companion, throwing a fresh light upon their famous partnership, and helping to explain much which has puzzled their devotees. Together Holmes and Watson face disturbing revelations as they investigate the case of the Queen Bee; and we finally learn what actually happened at the Reichenbach Falls, and the real reasons which lay behind Holmes’ faked death and his subsequent return.

Review by Erastes

A nice deceit, that Rohase Piercy found the manuscripts and has published them. Watson’s preface is rather sad as it talks of how he hopes that men of his type have things better than men of his generation.

It’s been a very long time since I read Holmes in canon. I have the complete works and I hoovered them up all at once in my 20′s and haven’t read them since, but from what I remember these two little novellas, each cataloguing a different case of the great detective, are written by a true Holmesian.

The first story is:   A Discreet Investigation and is set just after the Sign of Four. I think the first story in this two-story collection is more original, although as I say, my canon knowledge is rusty–but the second story seems definitely more derivative but I did enjoy them both.

Watson simply runs the story through a filter telling “the truth” rather than what he published at the time. Dealing with why he left Holmes’ residence, how they ended up in Europe together, why Moriaty was chasing Holmes and why Holmes was missing for the time he was. it’s true that Watson does get a little emo at times, and more overtly towards the end, but I found that quite endearing, and he does bottle things up and he strikes me as the kind of a man who would break down after bottling things up for years.He did have cause to be upset, after all! The voice in both stories seems to be to be pitch perfect–I couldn’t tell you if there are canon errors, and if you aren’t a complete nit-picky Holmes-fanatic then you won’t care that much.

Watson’s voice is very good, and the language is done beautifully to match the canon and the time when the original was written.

The second story is The Final Problem and Holmes prefaces it with a note which says that “It is always diffcult – indeed, almost impossible – to set down an accurate record of the more painful events of one’s life…” As this story begins, Watson is married to Mary Morstan and has left Holmes, his residence and his cases behind. I believe (I may be wrong) that the canon never confirms that John married Mary–although a second wife is mentioned at some point, so it’s possible. I am pretty sure that if you are fan of the canon you will enjoy these two stories immensely. I think you will forgive Watson’s foray into sentimentality, after all, it was something he was accused of often by the great detective.

Holmes is also written beautifully, particularly pure even for being in love and entirely unable to say or show it–I think the pure brittle heartbreak of how this is worked was my favourite section. There’s perhaps a smidge of OKHomo throughout, or a dollop… but it was all such a good read, and obviously done as an homage by someone who knows and loves his/her subject, I was quite willing to overlook it when a lesser writer would get more a smacked wrist.

Overall the two novellas do tend to lurch into too much emo at times, but the pure Holmesian character keeps it buoyed up despite this. I’m sure anyone with any interest in Holmes, detective fiction, turn of the century fiction will enjoy this as much as I did.

No author’s website found

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Review: Quatrefoil by James Barr

Phillip Froelich and Tim Danelaw are irresistibly drawn to each other. Both are in every obvious respect what is generally considered masculine, and live and work in a completely normal man’s social and professional world. Other men respect and admire their courage and ability and even their physical prowess. Women are very much attracted to both of them. 

Tim, the older of the two, has already recognised and resolved the problem of his sexual deviation. Phillip has not. A product of rural life, with is patriarchal background, he has a fierce contempt for ‘queers’ and at the same time a deep and secret dread that the germ of homosexuality may be buried somewhere within himself. One or two incidents in his life have shaken him profoundly and have made him determined ruthlessly to crush any tendencies in himself as well as to avoid any close relations with other men. He is engaged to be married as soon as he is discharged from the Navy, and he intends to rear a big family, to take over the operations of his family’s bank and other interests, and to become a responsible and civic-minded leader in his community. 

As the story opens, he has almost reached the refuge and security he has so carefully planned. But then he meets Danelaw. From that moment the struggle begins – a tense and shattering emotional upheaval composed of aversion, self-contempt, admiration and – finally – love.

Review by Erastes

Written in 1950, and set in 1946, I didn’t really have any doubt as to how the story would end. It was rare to find a book written in this time which had a happy ending, so if that’s all you want from a book, this isn’t for you.

It’s one of those books that you really should be reading if you want to write in this genre, not because it’s a work of genius but because it shines a light on times and a mind set that no longer exists in our Western world.

It’s very much a coming-of-age story. Despite being 23, Phillip Froelich (pronounced Froylich) comes over as young for his age. At the beginning of the book he’s seen leaving his ship under a cloud and heading to Naval Headquarters to face a General Court Martial for striking a superior officer–namely his captain. If ever there was a protagonist likely to alienate the reader, it’s Phillip for at least half of this book. He’s just horrible. A terrible snog, a real prig, prickly, rude to just about everyone and thinks he’s better than just about everyone. As the blurb explains he considers himself to be a MAN, fully masculine and he has a loathing of “nancies.”  He made a close friend on board his ship, but repulsed him violently when he made a pass at him. He knows that men of that persuasion are attracted to him but he blames them, he sees nothing in himself that he can blame for this.

So when he meets Tim Danelaw, rich, urbane, seemingly easy in his own skin, and giving off more than mere signals that he’s interested in Phillip, Phillip is thrown, because some deeply buried part of him is responding. The rest of the story is the journey that Phillip takes, mentored patiently by Tim, to accept himself for what he is .

It is a dated book–I can’t see any men of today having the kind of philosophical conversations about homosexuality that these two men have, and it’s not a particularly easy read, as some of the concepts were a little beyond me. But it is interesting to see–in a world where the homosexual community had yet to become in any way cohesive–how some men viewed homosexuality, even when it surfaced in themselves. I found it disturbing that even Tim–the more rational and knowledgeable of the two–considered anything but a ‘intelligent’ meeting of minds and bodies would be depraved and base. Whether that was the opinion of Barr I don’t know. I have to wonder what he’d think of some of the community these days!

The characterisation is masterful. I’ve already said that Phillip is absolutely loathsome at the beginning–and indeed for much of–of the book. That he does mellow, and begin to look around him and to realise that there is more available for himself than he had plans for. He thinks he’s tremendously ambitious, but his house in that respect is actually based on sand and it takes Tim to point this out.

The way Tim guides and moulds Phillip is beautifully done, too. He is truly an Erastes to Phillip’s Eromenos. He somehow understands Phillip’s mind perfectly (or almost so) and knows when to push and when to let the young man find his own way. It is through Tim’s eyes that we see Phillip in his home environment–and discover many of the reasons why he is the way he is at the beginning of the book.

As well as the slow and tender growing relationship between the two which takes the entire book, there are a good handful of other subplots all fuelled by characters as three dimensional as the main protagonists. I won’t go into them because it would far too spoilery.

Although I found it a little hard to get involved with–purely because of my dislike of Phillip–by the middle of the book I was entirely hooked and couldn’t bear to get to the end because I had a pretty shrewd idea of how it was going to go and I was heartbroken to find I was right. That being said, there’s a fair pinch of hope at the end too, so it’s not all gloom and doom.

If you can get hold of a copy at a reasonable price–try Abe Books or the Book Depository–then do grab it, because it’s a really lovely long, plotty and literary read and if that’s your bag, you’ll hoover it up.

Don’t be put off by the frankly revolting cover, having read it, I think Phillip would be horrified at it!

Amazon UK    Amazon USA

Review: Cross Bones (short story anthology)

Ahoy, me proud beauty, shiver me timbers! I ask ye to sail me jollyboat on the high seas, lubber, but will ye dare to accept? On offer be a pirate’s life full of danger and risk, and not just to yer neck, but to yer very virgin heart! There’s many a bodice to be ripped–or perhaps I should say many a codpiece to be snapped–and should ye be graced enough to cross bones with a corsair, don’t be an addlepate! Heave ho, lad, handsomely, and show him how ye bury yer treasure!

Pirates didn’t only sail the high seas in historical times. Modern-day renegades and futuristic rebels are just as ripe for adventure and plunder. No matter the time, place, or circumstances, bad boys steal affection as often as they salvage treasure, and in these stories of romance, a rogue’s black heart always conceals a center of gold.

Review by Sal Davis

This is one of the jolliest covers I have seen. Well done Catt Ford. Looking at it one knows EXACTLY what’s on offer – piratical passion, and that’s what the reader gets. Here are nine stories with an historical setting, 2 stories set in the present, 2 fantasies and 2 futuristic ‘piiiiirates in spaaaace’ romps, all of which are good fun too.

Captain Merric by Rebecca Cohen – Captain Daniel Horton risks losing more than his life when he falls into the hands of notorious Captain Merric, who is surprisingly familiar.

Touched by the West Wind by Ellen Holiday – The lyrical tale of Thomas’s love for Brendan.

The Golden Galleon by K.R. Foster – called in to work by his partner on his day off, restauranteur Flynn gets a surprise.

My Hand in Yours by Emily Moreton – pirate captain woos peace keeper in a world full of magic.

Ghost of Jupiter by Jana Denardo – space privateer Al is shocked to find his latest raid has netted him a collection of dangerous alien slaves.

Officer and a Gentleman Pirate by E.S. Douglas – the capture of pirate Rheinallt Jones causes a naval lieutenant a crisis of conscience.

Objectivity by K.J. Johnson – American journalist Matthew risks all to get a story about African pirates.

Worth the Price by Cornelia Grey – Lt Edward Moon, abandoned to pirates by his commanding officer, has to choose between loyalty to the Commodore he despises and the pirate he desires.

Peter and the Lost Boys by Juan Kenobi – Peter is drowning his job related sorrows in a cocktail bar when charismatic Kap offers a solution.

Irish Red by MJ O’Shea – Loving a pirate can so easily lead to heartbreak, as Chris, barman of The Dagger, discovers.

Black John by Piper Vaughn – Juan has to choose whether to declare himself or let his love go free when Jacob is returned to him by the sea.

Rough Trade by Cooper West – “Black market trader” Audacity Gunner, unofficial captain of the AI ship Carthage, has his already random lifestyle further disrupted by the embarkation of Dr Sagittarius Deifenbaker.

From a Simmer to a Burn by B. Snow – Sule Okonjo, ex-slave, hates the Dutch. Ship’s carpenter Olaf is Norwegian but that’s close enough to engage Sule’s fury.

On the Wings of Lir by Riley Shane – Hugh Edward, officer on one of Her Britannic Majesty’s airships, is determined to capture Patrick Kelly, airship pirate.

The Winds of Change by Maggie Lee – Theo Cook, pirate, is perpetually unfaithful to his mess mate Sebastiano. Then they ship out with Edward Teach and Theo suddenly has competition.

Good fun is what this selection of pirate stories is all about. But if you’re the sort of reader who demands pin-sharp historical accuracy before you can even begin to think about enjoying a book, you may not like this anthology. Some of the stories are much better than others in that respect but, as short stories, none of them have much time for world building. Some authors set the scene admirably but some have concentrated exclusively on the passion while hand-waving the historical/naval research. As a representation of generic pirate fiction the anthology is good – I enjoyed the rompy bits while greeting the more thoughtful stories with a cheer – but it’s not Patrick O’Brien.

Buy from Dreamspinner. (paperback and ebook)

Review: The German by Lee Thomas

From the Lambda Literary Award and Bram Stoker Award-winning author Lee Thomas come a new thrilling novel. 1944 – Barnard, Texas. At the height of World War II, a killer preys on the young men of a quiet Texas town. The murders are calculated, vicious, and they are just beginning. Sheriff Tom Rabbit and his men are baffled and the community he serves is terrified of the monster lurking their streets. The only clues the killer leaves behind are painted snuffboxes containing notes written in German. As the panic builds all eyes turn toward a quiet man with secrets of his own. Ernst Lang fled Germany in 1934. Once a brute, a soldier, a leader of the Nazi party, he has renounced aggression and embraces a peaceful obscurity. But Lang is haunted by an impossible past. He remembers his own execution and the extremes of sex and violence that led to it. He remembers the men he led into battle, the men he seduced, and the men who betrayed him. But are these the memories of a man given a second life, or the delusions of a lunatic?

Review by Erastes

It took me a good while to read this book, since I started it in July 2011 and finished it in December! In my defence I wasn’t reading it all the time, I don’t read that slowly, honest. It was that I was expecting it to all go a lot darker than it did (although it does go to some dark places) and I’m happy that my anticipation didn’t match what actually happened. Although, as I say, it’s not full of fluffy rabbits.

Ok, so basically it’s set in 1944 in a smallish Texan town and is told in three different POVs:

Tom Rabbit: the sherrif. 3rd person past tense.

The German: first person diary entry

Tim Randall: first person past tense.

Now, don’t let this put you off, as it’s absolutely the best way to tell this convoluted and highly interesting story. Like many places in America, the small town has a German community and suddenly young men are dying in horribly mutilated ways and evidence found on the bodies points to the fact that it’s a German murderer. Thus begins an exquisite tale of paranoia, prejudice and a study of how a community can tear itself apart under all sorts of justification.

The German of the title is Ernst, who is clearly a troubled, and yet a good man at heart. He writes in his journal of his past–memories of serving in an army, commanding man, many many men, and a betrayal, a court martial and–and here’s where it’s delightfully opaque–an execution which he seems to have survived, despite the terrible bullet scars on his body. He lives across the street from Tim Randall, an ordinary young man growing up in a small town and with his father overseas serving in the war, at daily threat from “the Krauts”.

Tim’s interaction with Ernst is light. Tim is curious about his neighbour but he doesn’t bother him, although when they do meet up Ernst tries to educate the boy about prejudice and hate. Sadly, although at first Tim appears to see the sense in this, his father is declared “missing in action” and Tim’s grief and fear is channelled in the only way it could be at this time and place–directly towards Ernst.

I loved the feeling of paranoia and claustrophobia here. The way Ernst is pretty much trammelled and keeps to himself for very clear reasons. He frequents a bar from time to time but mostly stays indoors or sits on the porch or swims in the lake. He does have male company occasionally although for most of the book this is with men who are disgusted with their own urges–which puts Ernst off from wanting to see them again.

The interaction between the sheriff and Ernst was masterful. Ernst so clearly in control and almost a little bored with the interrogation–he’s been interrogated before and by masters of the art after all. His frankness to the sheriff about his sexuality was a brilliant stroke–and the effect it had on the countrified and rather naive sheriff was an interesting study.

It’s not a pretty story in any aspect, nor is it meant to be, nor should it be, so be warned that the violence is graphic and literal and shocking. This is entirely right because it is shocking, what happens and who it happens to and why. It’s a terrible but sadly true indictment of human behaviour, beautifully observed and told with true skill.

If I have one quibble, it was the epilogue–the character it portrays didn’t strike me as having learned the lessons that he said he learned and it didn’t really ring true from what we’d seen on the pages previously. However that’s just a small quibble and won’t affect the score because the remainder of the epilogue was note perfect.

Just a note on the cover and the design. I’ve noticed with Lethe Press before that they take real pains over the design of their books. Not merely the covers–this one is perfect–but the font, and the design of the headers inside. It probably won’t show on e-readers, but the headings in this book are just amazingly good, and add another dimension to the book, and I wouldn’t have thought that was possible. So well done, Lethe Press.

Yes, there is — perhaps — an element of the paranormal here, but as it is completely subjective, I’m not hesitating to review it on the site and to recommend it to anyone.

Author’s website

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Review: Junction X by Erastes

Set in the very English suburbia of 1962 where everyone has tidy front gardens and lace curtains, Junction X is the story of Edward Johnson, who ostensibly has the perfect life: A beautiful house, a great job, an attractive wife and two well-mannered children. The trouble is he’s been lying to himself all of his life. And first love, when it does come, hits him and hits him hard. Who is the object of his passion? The teenaged son of the new neighbours.
Edward’s world is about to go to hell.

Review by Ruth Sims

Webster defines “inexorable” as “not to be persuaded, moved, or stopped : relentless.”

I have always been drawn to books and plays with that quality. Erastes’ Junction X pulled me in from the first page. I have known for a long time that Erastes is an excellent writer, whether her protagonists are working at a forge, being tortured by a religious zealot, or any of the other trials her characters are heir to. Junction X doesn’t have the protagonist being tortured by outside forces. He is tortured and broken by the cruelest Inquisitors of all: love and his own conscience.

English Family Man Ed has a good life, to all outward appearances he has a perfect life. Success. A fit and gorgeous wife. Twins he adores. Friends. Respect. And as the reader would expect, this man with the perfect life, has a dark secret: his strictly-for-sex relationship with Phil, a former neighbor and long-time male friend. (Neither of them is gay–of course–though Ed is sometimes touched by doubt on the matter.) Whenever the opportunity presents itself, Phil initiates quick, risky sex with Ed in public places, where discovery is always imminent, and Ed never refuses. Love never enters into their relationship, though Ed has a guilty conscience that pokes at him a little–just not enough for him to call a halt to his risky behavior.

Everything changes when Ed glimpses and then later meets and gets to know the new neighbors’ seventeen-year-old son, Alexander. Alex is beautiful with the fleeting and impossible beauty of the very young. Ed is a bit stunned by the speed and completeness of his sudden infatuation with Alex. In no time at all, Ed starts to build “what-if” fantasies about Alex. There is, he convinces himself, no harm in it. No one will ever know. But not long after, it becomes apparent that Alex is constructing his own fantasies … about Ed. During this time, Alex becomes is befriended by Ed’s wife and idolized by the twins.

The inevitable first kiss, given by Alex, throws open the door which hides the impossible fantasies and they become real, taking shape in secret, furtive meetings filled with lust-love. Inevitably, there is one tryst too many, one scheme too many, one declaration of love too many, one denial too many. It’s inevitable that the fragile house of deception will crash around them. It’s inevitable that someone will pay for the crime of love in all the wrong places, with the wrong person.

The end is a shocker.

If you want a book with heart, compassion, and reality coupled with love fantasies divorced from reality, and if you can accept a story with inter-generational love and sex, then Junction X is for you. You will never forget it.

This is the most literary, most riveting, most heart-rending story Erastes has written.

Author’s website

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Review: Butterfly Dream by Dave Lara and Bud Gundy

At 6 years old, long before he discovers that he is gay, Banat Frantz learns that being Jewish in Hitler’s Germany is a bewildering crime for which he and his family must pay. Fire and loathing greet his emerging consciousness and a resourceful child begins to learn survival skills. Violently forced from their home and a successful business, his family immigrates to Holland but discover that they haven’t traveled far enough. They realize too late that Hitler’s mania would spread across a continent. The Nazis wrench the family apart, tossing them into the maw of the holocaust where only survival matters. Even in places where humanity itself chokes on the ashes of hatred, Banat realizes that he is gay and has fallen in love with another young Jew. The knowledge shapes his existence as he copes with the relentless horror of his life in a series of ever-more grim and nightmarish places until he finds himself in the hushed and gray world of Auschwitz, where silent screams fill every mind. But nothing can truly kill the spirit if it is filled with a longing for beauty. A young man of such sensibilities can forge moments of sublime bliss in whatever setting he encounters, and through a network of Jewish actors, writers, singers and intellectuals he learns that art can shelter his passions and that his very longing is his refuge. From his earliest memories of Nazi rallies that unleashed teeming hatred, to his redemption in a New York gay club, Banat Frantz lives an entire life before it ever really begins.

Review by Erastes

I find books about the concentration camps difficult to review and rate, let alone that they are often difficult–that is, painful–to read and this is no exception. One feels that one should have an automatic sympathetic response to the book, that one should praise it because of the subject matter, and by criticising it, one is somehow lessening the horror of what actually happened in Europe (and elsewhere.)

But although there was much to like about the book, I’m going to be critical too. Firstly, it’s another self-published book, and like nearly all self-published books (note I said ‘nearly’ before you get on your self-publishing high horse) the editing is appalling. Not merely shoddy, but absolutely unforgiveable. If the book had been through a second pair of eyes other than the two authors’ then that editor needs to have his/her red pen forcibly inserted somewhere. So if you are going to take on the book–and for some that will be a difficult decision, you’ll need to take onboard that not only is the subject matter tricky, but the editing will make you want to throw your e-reader at the wall.

Basically it’s the story of the Jewish boy, Banat, who, when the story begins is about six and he witnesses one of the rallies that Hitler was having in the 30′s. Things had already started to become difficult for Jews at this time, trading was limited and hatred was common-place and open. There’s a shocking scene where Banat was beaten up on the street by the father of a school-friend and no-one helps him at all. It’s a powerful scene, but was marred for me by there being no repercussions about it. Banat had been told to stay in, that it wasn’t safe–and although I’m sure his parents would have been less annoyed with him when he came back with a bloody bruised face, no mention was made of what happened when he did go home. There’s a lot of this kind of loose end stuff lying around which again, an editor would probably have helped with.

The problem I had with baby Banat, and again and again throughout the book is that I would have preferred it to be through the eyes of the protagonist himself. Instead of which, it’s written as a memoir, with all the hindsight and knowledge of what is going to happen and a knowledge of world events. It probably suits more people this way, but I think if Mockingbird had been written from the perspective of a older Scout it wouldn’t have had the same impact. The author as narrator can’t help but talk about things that are happening, that are going to happen, things that Banat could not possibly have known about and these intruded into his day-to-day experiences, when I would have preferred just to know about those experiences and not the world stage. We know what happened on the world stage, and on a small scale, those things only affected Banat in the way of him being Jewish.

However, as a memoir, it’s very readable–aside from the appalling editing. The concentration camp sections seem a little lighter than I was expecting. I’m not saying that I wanted in-depth descriptions of what Banat went through but really, other than a lack of food and warmth he managed to have a bit of a charmed life and drifted through the camps with what seemed very little danger to himself. Others disappeared but he not only survived–as people did–but he kept his father with him and remained in “safe” occupations for the most part. When he does mention the horror around him, like dead people littered around the camp its almost a surprise because the suffering hadn’t really been mentioned much before and I knew he had to be suffering every day.

So we can imagine Banat’s suffering, and what he’s going through, but I had to import it from information  gleaned from documentaries, books and films on the subject. Seeing as how terrible things didn’t happen to him–he’s even spared from being a bum-chum to a guard simply by saying “no thanks”–it then surprised me that he developed pretty bad PTSD after the war. He begins to suffer from “waking nightmares” and although I know his experiences in the camps could not have been good ones, because we aren’t told the horrors, his waking nightmares seem a bit over the top.

The days after the immediate liberation were a bit convenient. A group of them set off together–and the Russians don’t help them, being rather pre-occupied, and they find a camp where British soldiers had been held. There’s loads of food here, and they find a cow and a pig too. I found this a bit of a stretch, because why would the British soldiers–who they met later–leave behind so much food? Again, it’s all a little too pat, a little too charmed. He manages to get to Paris with no difficulty to retrieve his mother and getting the papers and money to return again is a piece of cake.

When he moves to America it’s much the same. He has more than enough money to live on as his father sends him loads, and when he does get a job it’s handed to him on a plate, and it’s a good job too.

It’s in New York where I noticed a large continuity hiccup and that worried me about the research for the rest of the book, as up to now I had been taking as gospel what I was reading was accurate as to dates and times. There’s mention of Caffe Cino – a cafe opened in 1958 by a retired dancer – and which became the birthplace of “off-off-Broadway” plays – but it certainly wasn’t around in 1948!

The ending is unsurprising, but sweet and all in all I enjoyed the read. I wouldn’t read it again though, even if the errors were taken out–and I highly recommend to the authors that they address this, it’s just too War-Lite for my taste.

Authors’ Websites: Bud Gundy  Dave Lara

Amazon UK   Amazon USA (available as print and ebook)

Review: The Broken by Stella Notecor

James guards his secrets.

Uncertain as to whom he can trust with his family’s secrets, James Bradford has lived a lonely life since becoming Baron of Riverside. When he meets an equally enigmatic violinist named Sheamus, he begins to wonder if he’s found someone with whom he can share everything.

Sheamus guards his body.

No one has ever shown Sheamus Flynn affection except his mother. That changes when he meets James, but Sheamus cannot trust him. Sheamus has been used by his master, Cade Edward, and he knows better than to believe James could ever love a mere servant.

They both guard their hearts.

Over the course of the 1876 Social Season they cautiously fall in love, only to be violently ripped apart by Edward. Defeating Edward’s deceptions will require both of them to share long guarded secrets.

Can they trust each other?

Review by Erastes

I’m not sure if you can entirely trust that blurb, to be honest. It might be what the author thought she was writing, but it’s not how it came out for me.

I didn’t see the blurb  until preparing this review, so it took me a long while to work out exactly when this story was set. Whilst I’m not a big fan of “London, XXXX” date at the top of the chapter, I do like a few grounding facts to help me. The date would sufficed in this case as I was about half way through before the era was clear.

It starts off at a party and there’s a waltz being played, so I’m thinking it couldn’t be pure Regency, because the waltz didn’t really take off until a bit later–but then they have a quadrille which confused me. It wasn’t until a good way into the book when I could hang a date on it, 1876, 20 years after the Indian Rebellion.

The thing is I wasn’t particularly enamoured of James. His idea of “cautiously falling in love” is to march up to Sheamus’s master (a man to whom Sheamus owes money and oddly cannot leave, like it’s some kind of slavery) and demand that he hand him over for the season, with nefarious purposes entirely in mind. It just so happens that Sheamus is being raped and abused (and these scenes are shown graphically in the book, so if that’s not your bag watch out) by his “master” and doesn’t really want to roll over for another man. However–of course he does, with hardly more than a “I’d rather not” and in no time at all they are weeping and wailing and declaring love to each other like the best of girlie men.

The whole scenario seemed weird. Why didn’t Sheamus just bugger off somewhere else and get a job and send Edward the money if he was so honourable? Or just bugger off. One could argue that he was “broken” but he doesn’t really come over that way to me.

I was disappointed, because for a moment it did seem like it might be a break from what is becoming the norm.

Being self-published it runs true to the expectation that I am now having with self-pubbed books that the editing is shoddy. Not the worst I’ve seen (that comes in my next review) but pretty dire. When will anyone bother to look up the difference between rain/reign/rein? It sometimes strikes me that perhaps these people have decided to self-publish because the book has been rejected. Perhaps they should stop and think why it’s been rejected. There’s nothing wrong with self publication, but I wish people would have more pride and put out the best product they possibly can.

OK, rant over.

There’s a lot of sex in this book, and as I mentioned above the rapes are pretty graphic. The author’s website tagline is “Love Knows No Boundaries and Neither Do I so that’s probably what she means. ” I would actually say there’s a bit too much sex, and there’s also some annoying secondary characters who seem to have no place in the story other than to SUFFER ALSO under the evil Snidely Whiplash.

James annoyed me to the last, as despite him declaring undying love for Sheamus promptly forgets all about him for weeks and Sheamus is in dire trouble when he does take the trouble to remember – oh yes- where’s that guy I love??

Not recommended–although some of the writing isn’t bad. It’s not a bad price, so you might want to try it.

Author’s website

Buy at Smashwords

Review: The Psychic and the Sleuth by Bonnie Dee and Summer Devon

Trusting a psychic flash might solve a mystery…and lead to love.

Inspector Robert Court should have felt a sense of justice when a rag-and-bones man went to the gallows for murdering his cousin. Yet something has never felt right about the investigation. Robert’s relentless quest for the truth has annoyed his superintendent, landing him lowly assignments such as foiling a false medium who’s fleecing the wives of the elite.

Oliver Marsh plays the confidence game of spiritualism, though his flashes of insight often offer his clients some comfort. Despite the presence of an attractive, if sneering, non-believer at a séance, he carries on—and experiences a horrifying psychic episode in which he experiences a murder as the victim.

There’s only one way for Court to learn if the young, dangerously attractive Marsh is his cousin’s killer or a real psychic: spend as much time with him as possible. Despite his resolve to focus on his job, Marsh somehow manages to weave a seductive spell around the inspector’s straight-laced heart.

Gradually, undeniable attraction overcomes caution. The two men are on the case, and on each other, as they race to stop a murderer before he kills again.  

Review by Erastes

I ummed and ahhed about reviewing this one, because it does have some paranormal aspects (spiritualism) but I’ve decided that this could be treated in the same way as ghosts – the only other paranormal theme we accept – because it could be subjective and brought on by other reasons, such as split personalities  etc.

This book continues this writing partnership’s run of titles with similar names, The Nobleman and the Spy, The Gentleman and the Rogue–there’s endless fodder here and long may they continue to do them.

If you enjoyed either of the last titles, then you’ll certainly enjoy this. The thing is that although the titles are similar and there might be the danger that the authors would find it easy to slip into a pattern of plot that would be highly predictable they are to be commended that they don’t do that at all.

This, quite apart from the gay romance within it, is a good Victorian sleuth story which stands firmly on its own two feet. You could remove the gay romance and the detective story would still be viable, and that’s needed in the genre, too many stories simply concentrate on the meeting and eventual falling in love.

Yes, there’s instant attraction on both sides, and this attraction is acted on pretty soon, and both parties start to realise they are becoming fonder of each other than is wise, but the detective story runs neatly parallel to this at a good pace, deflecting us from simply concentrating on the uncertain love affair. This makes the balance of the book great and therefore accessible to more than just people who want gay sex stories.

The sex is nicely written, with a BDSM theme. I’m not a fan of the trope, and find it odd that so many gay books have it–far higher percentage of men in fiction indulge than do in real life, I’m sure, but what there is is nicely done. At least for me with little knowledge of the lifestyle. It’s most definitely “play” and the bottom is the top, which is how it should be. There was one scene where–for me–it tipped from sexy to rather giggle worthy, but I am 12 and I’m sure others won’t be as juvenile as me.

There are many secondary characters here, as befits a sleuthing story, and each one is given the necessary weight as suspicion shifts from person to person. As well the suspects there is a veritable line-up of society matrons, simpering hopefuls for the bachelor Court’s affections and Dickensian work colleagues.

What I liked most is that both characters, whilst developing in their personality throughout, both for the better, remained true to their core beliefs. Robert is a copper, to his bootstraps and he was sent to investigate Oliver’s mediuming (don’t think that’s a word!) and the way he deals with it after Oliver becomes his lover is entirely in character. Similarly, the authors give Oliver a need to want to help people, and he’s never been comfortable conning them, although he’s been very clever never to actually do anything that could be proved to be fraudulent.

I would have liked to have seen a little more of Oliver’s original business, as he seemed to give it up altogether very quickly.

One thing that jarred for me–and again, I know that some readers love this device–was the sex scene that was put in after the denouement and the concluding sections. It seemed really jammed in and it added nothing to the plot, and my criteria has always been with sex scenes, if you can lift them out and they don’t cause a ripple, they didn’t belong there in the first place.

However, despite a couple of tiny niggles, it’s a really enjoyable read, and if you like Victoriana, crime fiction and anything written by this dynamic duo, then you’ll like this with great big brass knobs on.

The score doesn’t reflect it, but for shame, Samhain–surely you could have done a better job on the cover than that? Elasticated boxers? So much scope with lovely Victorian scenes and clothes and we get disconnected naked guys and a Matt Bomer lookalike.

Authors’ websites: Bonnie DeeSummer Devon

Buy: Amazon UK  Amazon USA  Samhain

Review: Maroon: Donal agus Jimmy by P.D. Singer

The best jobs in 1911 Belfast are in the shipyards, but Donal Gallagher’s pay packet at Harland and Wolff doesn’t stretch far enough. He needs to find someone to share his rented room; fellow ship-builder Jimmy Healy’s bright smile and need for lodgings inspire Donal to offer. But how will he sleep, lying scant feet away from Jimmy? It seems Jimmy’s a restless sleeper, too, lying so near to Donal…

In a volatile political climate, building marine boilers and armed insurrection are strangely connected. Jimmy faces an uneasy choice: flee to America or risk turning gunrunner for Home Rule activists. He thinks he’s found the perfect answer to keep himself and his Donal safe, but shoveling coal on a luxury liner is an invitation to fate.

Review by Erastes

It wasn’t until I’d finished this book that I realised that it was actually quite short at 70 odd pages. However it doesn’t read short and it’s well worth every penny of the price. Somehow the author manages to squish a lot–a lot–into those 70 odd pages. But while this would be noticeable with some authors–I often come away from novellas thinking that the walls are being squashed the book could explode into a novel very easily–this is deftly done and it doesn’t seem that it’s wearing boots several sizes too small.

And this is moot, because there was a lot going on in Belfast at this time. Not only were the shipyards the envy of the world, pushing out ships like shelling peas and creating the gargantuans of the shipping world at the time–in particular the White Star Line including The Olympic, the Britannic and the Titanic–but there was unrest (as there had been for centuries) as Ireland chafed against the British yoke.

And it’s into this powder keg Singer drops her story–a simple gay love story which is tender and sweet until outside forces compel them to act in ways that will put their relationship at very great risk.

What I liked most of all about this book is the subtlety of the prose–please do not be put off by what I say here, but Singer weaves the flavour of the language and the rythym of the Irish into the third person narration. Not so much as–say–Jamie O’Neill, but enough just to lift the prose above the ordinary. It’s not there all the time, but it’s a delight when you catch a taste of the lilt. I enjoyed this hugely.

The research, while relayed entirely within the story (no Dan Brown info dumps here, and that would have been the choice of some authors, I know) the author has done a lot of work to learn about the interiors of these ships, the men that worked on them and how things were done, how they were built, how they were launched, tested. It’s great to ride along with Jimmy and Donal as they build these monsters: you can almost see the superstructures rising higher and higher above the dockyards.

You can also understand the duality of the situation, too. Here’s a highly skilled craftsman like Donal, capable of creating the most beautiful woodwork for the first class cabins, and he’s hardly making enough money to support himself and his family back home. He’s forced to take in a room-mate to make ends meet, whilst millionaires will use his washstands on the ships, paying prices for one journey that would keep a dozen families in food and heat for years.

Despite the fact that the book fits its bounds so well, despite the breadth of topics covered, I would have liked more, it’s impossible not to want more when something is this well written. I don’t know P.D. Singer’s work–I beleive this is her first gay historical–but if she writes another I will be snapping it up immediately.

I recommend this book highly, and I’m sure you will enjoy it.

As for the “Maroon” – this is one of Torquere’s bizarre themes, I don’t get why it’s sub-labelled “Maroon” in fact I actually thought that it was part of thee title until I looked up the book on the website. However, it’s not the author’s fault. I wish Torquere would stop doing this sort of thing. At least they’ve given this book a decent cover and not one painted by someone’s four year old. Neither is it the author’s fault that Amazon has the wrong title up on their sites!

Author’s website

Amazon UK   Amazon USA  Torquere

Speak Its Name’s Best of the Year 2011

It’s been a bumper year for gay historicals, so much so that I’ve struggled to keep up with the reviews, and if it wasn’t for my small band of helpers, and Gerry Burnie who lets me crosspost some of his reviews I’d be in serious trouble. More books come out each year than I can ever review, and then add to that the back-list of books that need a review…

Anyway, things are rosy for the genre, and that’s great. More authors are trying the genre for the first time and those who try it often stick around and try it more than once.

Our “best of 2011″ picks are books that have been read and reviewed, not just books that came out in 2011. They are taken from the very small list of books that merited our Five Star rating. 

The awards are purely subjective and you may not agree. That’s not a problem, please comment and let me know your favourites that you’ve read this year.

Speak Its Name’s Best Book of the Year

Resoundingly goes to Captain Harding’s Six Day War by Elliott Mackle. Atmospheric, real, with great characters, politic and complicated plot all of which is left closed enough for us to be satisfied but open enough to call for a sequel which I’ve been told is being written. If you buy one book in January, make it this one.

Honorable Mentions go to:

The Case of the Porcelain Dog by Jess Faraday;

and

Suffer the Little Children by Tracy Rowan

Speak Its Name’s Best Cover of the Year

This was a very tough decision because the covers this year weren’t anywhere near as good as they had been in previous years. Covers overall are improving–there is less man titty on display with historicals than once there used to be–and some covers even have clothing that’s relevant to the story. However this year there was little that really stood out, although there were many “good” ones such as “Bless Us With Content” by Tinnean, “The Station” by Keira Andrews – many were generically romantic. There were some real stinkers too. I think Loose-ID came out best this year, and unsurprisingly, Torquere came out worst.

I’m going to have to do something I hated the idea of doing and that’s putting my book Mere Mortals up for best cover. I think that it’s not as bad as putting it up for best book, because the cover was entirely done by someone else–Ben Baldwin–and other than describing the characters I had no input into what he came up with. For me a cover has to tantalise and really want me to know what that cover is hinting at. Just a handsome couple of men before the background of Big Ben (or something else historical to ground it) doesn’t do that for me. Once you had read Mere Mortals you could see the entire book in the cover, but before you had read it, it was just a delicious mystery. I think with the atmospheric moodiness, the historical accurate colours and decoration of the room–it really is a stand out cover and I’m very proud to have work by this artist.

Honourable Mentions:

Under the Poppy by Kathe Koja
(Cover design by Base Art Co.
Cover photograph by Jonas Jungblut.
Author photo© Rick Lieder.)

Eromenos by Melanie McDonald (artist: Megan Chapman)

According to Hoyle by Abigail Roux (artist: Anne Cain)

The Station by Kiera Andrews (artist: April Martinez)

Lion of Kent by Aleksandr Voinov and Kate Cotoner (artist: Angela Waters)

Well done to all the artists, you have helped raise the standard of historical covers, and writers–you could do worse than commission one of these artists for your book.

Speak Its Name’s Best Author of the Year

I think that accolade has to go to Tamara Allen. She may not be the most prolific of writers but I’ve read two of hers this year–The Only Gold and If It Ain’t Love and was hugely impressed by both of them. More power to your pen, Ms Allen and I look forward to what you come up with next.

Reviewers’ favourites

I asked our reviewers to name their favourites–and here’s what they came up with. Note that they aren’t all “released this year” but “read this year.”

Sally Davis:

This is quite a difficult question because I’ve read some fabulous stories over the last 10 months or so. Alex, Donald Hardy, Lee Rowan, Erastes and Charlie have made my reading so much more enjoyable.
However, out of all the books I reviewed The Only Gold by Tamara Allen was the book I read where I was smiling almost all the way through it. It pressed all my buttons – enough historical detail to satisfy without it getting in the way of the plot OR being overwhelmed by the m/m romanciness, engaging heroes, women who were not cardboard cutout viragos and extremes of danger met with gallantry, just lovely. I have read other books I enjoyed almost as much but I think Allen has the edge when it comes to taking actual historical events and making a damn good story out of them.
Jess Faraday:
Of the books I reviewed, these are the ones I’d recommend highest.
Nan Hawthorne

1.  Lessons in Love, by Charlie Cochrane
2.  Lord John and the Brotherhood of the Blade, by Diana Gabaldon
3.  City of Lovely Brothers, by Anel Viz
4.  Counterpoint, by Ruth Sims
5.  An East Wind Blowing, by Mel Keegan

I wish I had had seven.. but so be it.

And finally, the Speak Its Name Readers’ Choice Award which was done by Poll (here) so you can see the results were fair.
The Winner was Charlie Cochrane with her last Cambridge Fellows book “All Lessons Learned.” Well done, toots.
A Happy New Year to all the readers of the blog–thank you for supporting, for commenting and for buying the books. Let’s hope 2012 is even better.

Review: Half a Man by Scarlet Blackwell

Traumatised by the nightmare of trench warfare in France, Robert Blake turns to rent boy Jack Anderson for solace. Neither man expects their business relationship to go quite so far.

It is 1919, less than a year after the end of the First World War with a recovering Britain in the grip of the influenza pandemic. Crippled veteran of the Somme battle, Robert Blake, is looking for someone to ease his nightmares of France and his guilt over what happened to his commanding officer. He turns to educated rent boy Jack Anderson for physical solace, not expecting how deeply the two soon become immersed in each other’s lives.

Review by Erastes

Rather a touching premise, a tart with a heart and a man paralysed from the waist down. You don’t at first (or rather I didn’t) twig that Jack Anderson is a prostitute but I suppose these days he’d be called an escort. He provides companionship and relief if needed from discreet and wealthy men. He hasn’t been soured by his life as a renter, and is both professional and attentive.

He’s called to the house of Robert Blake, who we discover is in a wheelchair. The two men meet once a week, a little tea and cakes, some sex and after a week or so they realise that they are becoming fond of each other.

It started well, and I was encouraged that this was something a little different, even though the tropes are well known, but sadly enough the men soon started to weep all over the place and to once they got into bed the old fanfic favourite chestnut of  ”Come for me, [name here] both trends in m/m which I’m thoroughly tired of.

I liked both protagonists, Robert particularly because he seriously thought he was entirely useless to anyone being in the state he was and many men did–and do–think like this. Legs and cock not working=end of the world, and I can understand this. The interactions between them–and I don’t mean just the sex scenes which are detailed and many–are well done and believable when there’s no crying going on.

I enjoyed the read, but it’s not a keeper for me, I’m afraid.

However, it’s well-written, and thoroughly romantic with very little conflict so I’m sure that the readers of a more romantic brand of gay historicals will like it a lot. It’s not so over-the-top romantic as to spoil the story, so I did enjoy it. I also enjoyed that the ending was left a little in flux, and that Robert’s problem wasn’t magically cured entirely by all the gay sex.

Overall, well worth a try-out.

Author’s website

Silver Publishing

Advent Calendar Winners Post

Merry Christmas to all!

Thank you ALL so much for following the blog this month. The visits have been growing steadily and loads of people have subscribed to the posts and have been visiting each day. Here’s hoping that you’ll stick around in the New Year and enjoy the masses of reviews we still have to get through, and all the new books yet to come that we don’t know about yet. It’s great that the genre has so much support.

It’s a shame that more people didn’t comment–although not a shame for the actual winners–as many people won more than one prize!

I’d also like to thank the pantheon of willing authors who volunteered their time and their possessions to blog for your enjoyment and to give away such great prizes. I hope you all got a kick out of the posts – what a great variety of posts there were, too – and that you all won a prize. If you didn’t then I’m sorry about that! Better luck next year  (or check out the Ides of Pride Bookswap 2 which will happen in June).

So – without further ado – Here’s the list of lucky winners!

1. Jess Faraday’s Bag of Goodies: To be announced later as detailed in her post

2. Nan Hawthorne’s Carnival giveaway: Nathan Smith

3. Rochelle Hollander-Schwab’s “A Different Sin” – Teddypig

4. Lynne Connolly’s ebook giveaway – Sarah M

5. Andrew Grey’s book giveaway –  Jennifer Thorne

6. Jenre’s rocking horse tree ornament – Tam

7. Gerry Burnie’s $10 ca gift token – KZ Snow

8. Jennifer Thorne’s book giveaway – Nan Hawthorne

9. Ann Chamerlin’s book giveaway – Leila

10. Elin Gregory’s sheep themed goodies – Stephanie Haviland

11. Charlie Cochrane’s two winners - Marti and jessie Lansdel

12. Donald L Hardy’s book giveaway – Shelagh

13. Paige Turner’s winner of a copy of Bone Idol and a cameo in a future book – bosomfriends

14. Kathe Koja’s winner of incense  -  Nan Hawthorne

15. Summer Devon’s two winners are Julie Barrett and Irene

16. Nathan Burgoine’s “Riding the Rails” and “Something Canadian” goes to Elin Gregory

17. Kay Berrisford’s book giveaway – Dorinda

18. ZA Maxfield’s four book giveaway goes to HJ

19. Samantha Kane’s book giveaway goes to Anny Cook

20. J.L. Merrow’s gift certificate goes to Chris

21. Belinda McBride’s giveaway goes to Seraphina Witch

21a. Grace Roberts’ giveaway – Melanie Marshall

22. Syd McGinley’s giveaway – Stevie Carrol

23. Alex Beecroft’s book giveaway – Elin Gregory

24. Jeannine Allard’s book giveaway - Stevie Carrol

24a. Lee Rowan’s book giveaway – Jessie Lansdel

I will be getting in touch with the donators and winners over the next week or two, but if you haven’t been connected with your prize by end of January, POKE ME.

We had a very dissapointing entry for the Bumper Quiz – only four entries. The winner of this is: Sarah MacCallum

Once again – thank you, readers and authors – this Advent Calendar wouldn’t exist without your generosity!

Reviews will commence again on 1st January. I’m taking a little break until then.

Merry Christmas One and All, whatever your belief.

Erastes

Merry Christmas!

I hope you all had a great day, or are having one.

Due to too many sherbets inhaled by yours truly, the prize list won’t go up until tomorrow!  Many apologies – but it will be worth it, I promise you!

Erastes

 

Angels and Sugarplums

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Advent: A Memory

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Yule be Happy to Know…

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Speak Its Name Awards 2011

Sorry to cut into the Advent Calendar which I hope you are all enjoying.

We will be reviving the Speak Its Name Awards this year and introducing a new category, the Readers’ Choice.

The Awards will be:

Best Novel

Best Cover

Best Author

and Readers’ Choice.

The first 3 are chosen by Speak Its Name, but the Readers’ Choice gives you a chance to participate. We’ve compiled the list of the top books rated 4,4½, and 5 stars. There’s a few but still only a fraction of the books reviewed in the year.

The poll is HERE - so please go and vote if you would be so kind.

The books concerned are these below, with a link to the reviews if you need a reminder of their goodness. The only thing I ask is that you vote for the book itself, and that you have read it. Not that you’ve reader other things by the author or you really love them as a person.

Many thanks and enjoy the rest of the year!

Captain Harding’s 6 Day War by Elliott Mackle

By Honor Betrayed by Alex Beecroft

Well Traveled by Margaret Mills and Tedy Ward

Placing Out by P.A. Brown

Violet Thunder by Kate Cotoner

This Rough Magic by Josh Lanyon

Muffled Drum by Erastes

The Puppet Master by Kate Cotoner

Kindred Hearts by G.S. Wiley

The Affair of the Porcelain Dog by Jess Faraday

Wingmen by Ensan Case

Bound Forever by Ava March

Missouri by Christine Wunnicke

Suffer the Little Children by Tracy Rowan

Eromenos by Melanie McDonald

Under the Poppy by Kathe Koja

Home is the Sailor by Lee Rowan

Sal Mineo: a biography by Michael Gregg Michaud

The Nobleman and the Spy by Bonnie Dee and Summer Devon

Midnight Dude by Various

Beloved Pilgrim by Nan Hawthorne

Earth and Sun, Cedar and Sage by Margaret Mills and Tedy Ward

Kindred Hearts by Rowan Speedwell

The Last Tallyho by Richard Newhafer

The Painting by FK Wallace

Algerian Nights by Graeme Roland

Game of Chance by Kate Roman

Willing Flesh by J S Cook (Inspector Raft Mysteries #1)

Perfect Score by Susan Roebuck

Dulce et Decorum Est by JL Merrow

Mere Mortals by Erastes

Lion of Kent by Aleksandr Voinov and Kate Cotoner

Young Man in Paris by Sophia Deri-Bowen

Raised by Wolves 2 Matelots by WA Hoffman

The Wanderer by Jan Irving

Arson! The Dakota Series 1 by Cap Iversen

Living the Spirit: a Gay American Indian Anthology, compiled by Gay American Indians, Will Roscoe

Precious Jade by Fyn Alexander

Sam’s Hill by Jack Ricardo

Home Station on the Prairie Series-1 and 2 by Kara Larson

Walking in Two Worlds by Terry O’Reilly

Comstock by Aaron Michaels

Home Fires Burning by Charlie Cochrane

Pioneers by Lynn Lorenz

Giovanni’s Room by James Baldwin

A Faint Wash of Lavender by Lucius Parhelion

Silver Lining by Lucius Parhelion

The Soldier of Raetia: Valerian’s Legion by Heather Domin

The Only Gold by Tamara Allen

House of Mirrors by Bonnie Dee and Summer Devon

Icy Pavements by Lee Wyndham

According to Hoyle by Abigail Roux

All Lessons Learned by Charlie Cochrane

The Evening Crowd at Kirmser’s by Ricardo J. Brown

His Client by Ava March

The Praise Singer by Mary Renault

Hung for a Lamb

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The Robin

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History is Unusual

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Daylily

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A Regency Christmas

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Choosing One True Thing

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Arcadia in the Gutter: The case of George Campbell, the Shepherdess, and Victorian Drag Balls

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Speculative

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Victorian Spiritualism

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The Joy of No

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Truth is Stranger than Fiction

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The View from my Desk

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Goodwill To All Men

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Frost at Midnight

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Gender Issues

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Not so different as you might think…

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An Old Fashioned Christmas

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Deck the Halls with Boughs of Holly

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Christmas Memories

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Gay Characters in Mainstream Romance

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Can a Straight Woman Write Gay Characters and so on and so forth

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King Cake in New Orleans

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T’is better to give than to receive…

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Welcome to The Advent Calendar 2011!

The posts will go up around 14:00 hrs GMT daily – so no peeking in advance! And we will know if you try! Come back daily to check for new posts, and every day there will be a prize up for grabs for at least one person.

There will also be a BIG FESTIVE MYSTERY PRIZE (ok, not that big) so there will be a question posted every day. Save them up, email them in to me on Christmas eve on erastes at erastes dot com and be in the running for a bag of goodies.

   


       
         
   
     
Double day!

   

Double Day!

 

Review: By Honor Betrayed by Alex Beecroft

1748

Lieutenant Conrad Herriot and Seaman Tom Cotton have been master and servant for over a decade, and friends for almost as long. When Tom is injured during a skirmish, Conrad forgets himself and rushes to Tom’s side, arousing suspicion about the true nature of their relationship.

All Tom wants is the chance to consummate their love and embark on a new life together, outside the law that condemns them. Yet he fears Conrad won’t risk his career and his honor to become Tom’s lover.

Conrad believes his lust for Tom will damn his soul. There’s also their difference in class—a gentleman doesn’t socialize with a common tar. As Conrad struggles to refute the gossip on the ship, he must decide whether to commit the crime the crew’s already convicted them of, or part from Tom for good to save both their necks…

Review by Erastes

Just a small niggle, and this is nothing to do with the review or the mark – but I fail completely to see why Carina insisted on the American spellling of “honor” on the title and the blurb, and then used English spelling–including “honour” in the book itself. Very odd indeed. (plus the year is wrong, the book is set in 1750) Bad Carina, no biscuit.

I had to have some niggles, after all, because there’s not much else to niggle about here. Lovers of Alex’s writing–whether you like it for the mile deep descriptions, conflicted officers, multi-faceted characters–it’s all here.

Conrad is, as most people were, god-fearing and believing in concepts of immortal souls and all that jazz. He’s been humming and hah-ing about letting his manservant (horrors!) Tom know that he finds him quite delightful for many years and it takes a big sea battle for his feelings to surface–much to the chagrin of the captain and the amusement of his crew (leading to a subsequent lack of respect.) The irony is that he’s already been suspected of the crime–suspected and judged by his shipmates–and he hasn’t actually done anything. Stung by the injustice, and in danger of having Tom forcible separated from him by the captain, Conrad decides he’d rather be hung for a sheep than a lamb e.g. he might as well do the deed, if he’s already assumed to have done so. Better a short life but a merry one, as it were. Or, as he puts it should he:

“…save his heart and lose his soul? Or save his soul and lose his heart? “

The book is–I think–told entirely from the 3rd person viewpoint of Conrad, and although that felt right for the length of the book, it meant we did get a little shortchanged with getting to know Tom. All we had to go on was Conrad’s perceptions of what Tom thought and felt.  This actually pays off nicely at Tom’s reaction at the climax of the book, so I can see why this device was used, but it still leaves Tom as a little bit of an enigma in these days of dual pov books.

As usual, Ms Beecroft’s prose stuns with its seemingly effortless phrasing. Some of the descriptions are so beautiful I felt like giving up writing forever, but then her writing always makes me feel like that. She manages sometimes to mix descriptive words that are so wrong, but in her hands they feel entirely right. It’s a real gift.

Sex-wise, I think this is probably the smuttiest book that Alex has ever written, as she leans towards the more veiled sex scene as a rule, but the sex here is postively coarse (but great!). To quote one of the judges on Strictly Come Dancing “It was filthy and I loved it!”

I did feel the book was a little short, but I’m not going to mark it down for that, it was written deliberately as a novella and you can’t squeeze a quart into a pint pot. With the word count that she has, Ms Beecroft has done marvelously, and her naval descriptions — as always — are first class. There’s a bit that actually made me feel sick (sea-sick, that is) with a fantastic section where the protagonists are in their cabin and the ship is literally rolling and pitching on near enough a 90 degree angle – the floor becomes the wall and then goes all the way back. The casual way the experienced sailors deal with this, holding fast to the lines of the hammock — and each other — shows skill to portray without being confusing. It was so well done that I could feel every gravitational pull–and consequently felt rather queasy. It amused me how much more realistic it was done well in prose, than on the USS Enterprise, where everyone just leans from one side to another!

If you haven’t encountered Alex Beecroft’s longer works, particularly the Age of Sail novels (False Colors, Captain’s Surrender) then this is an excellent introduction to her remarkable talent at a reasonable price.

Amazon UK   Amazon USA

 

 

 

 

 

 

Review: Home Fires Burning by Charlie Cochrane

Two stories, two couples, two eras, timeless emotions. 

“This Ground Which Was Secured At Great Expense”

It is 1914 and The Great War is underway. When the call to arms comes, Nicholas Southwell won’t be found hanging back. It’s a pity he can’t be so decisive when it comes to letting his estate manager Paul Haskell know what he feels before he has to leave for the front line. In the trenches Nicholas meets a fellow officer, Phillip Taylor, who takes him into the unclaimed territory of physical love. Which one will he choose, if he’s allowed the choice?

“The Case of the Overprotective Ass”

Stars of the silver screen Alasdair Hamilton and Toby Bowe are wowing the post WWII audiences with their depictions of Holmes and Watson. When they are asked by a friend to investigate a mysterious disappearance, they jump at the chance—surely detection can’t be that hard? But a series of threatening letters—and an unwanted suitor—make real life very different from the movies. 

Review by Erastes

Let me say up front that I thoroughly enjoyed both books, as I expected I would. I just didn’t enjoy the overall experience as much as I thought I would.

The trouble for me came with the stark differences in tone. I can see possibly why this was done, to offer some light relief in the second story to compensate for the pain of reading the first one, but I found the disconnect a little too much. The light frothy feel of the second book seemed to lessen the really true impact of the first, and that was a shame. I wish I had read them the other way around.

This Ground Which Was Secured At Great Expense

You can usually assume that any book dealing with the Great War is going to be a harrowing story, unless the writer doesn’t do their job properly and this one is no exception. Don’t be put off–this deals as lightly as it can with the actual job of soldiering in the trenches, and while there is description of the environments and atmosphere of that time, it won’t make you go cold in sheer horror as some books have done.

One thing that struck me as I was reading was the way that Cochrane’s writing has evolved over the years that I’ve been reading her. She could always write a good yarn and she’s always been on my list of Must Reads but this book shines for me as the best thing she’s ever done.

She doesn’t take the easy option with this book–e.g. that of one man meeting another, having conflict in the war, and despite all odds coming through to find his true love. That, married to the wonderful writing, would have been sufficient–but (and forgive me if I’m wrong here) Cochrane for the first time decides to explore some flawed characters. In fact, this darkness had begun to creep into the Cambridge Fellows series towards the end, and that’s what made it fascinating for me, but Cochrane shows true strength of prose as she explores the love square, one must call it I suppose, between Nicholas, Paul, Phillip and Fergal.

The most touching moments for me were those between Nicholas and Phillip, and the way the story has them coming together (as it were) due to many reasons: war, anger with another, loneliness and just damned human need.

As you can see, there are too many people in the equation to have a realistic gay historical romance ending, so you’ll already realise that choices have to be made and something’s gotta give. I won’t spoil it, but it’s wrapped up very deftly, without cloying into saccharine sentiment and my eyes were moist, which is always a good ending for me.

Absolutely marvellous read–please do not miss this one. I can only hold my breath to see where Cochrane goes next.

The Case of the Over-Protective Ass

We are back on familiar ground here, as Ms Cochrane demonstates her skill at sleuthing. Our heroes, both stars of the silver screen, and protected as much as possible by their studio are in love and having a rather lovely affair, although as discreet as possible.  They are asked by a theatre impresario, to find his missing secretary and the game is afoot.

I quite liked Toby and Alasdair, but I didn’t warm to them the way I warmed to Orlando and Jonty from The Cambridge Fellows series, they seemed a bit too similar to the Fellows – not altogether surprising, I suppose, being two sets of homosexual sleuths deeply in love with a penchant for innuendo and double entendre. But I would have liked them to be more distinct from their Cambridge counterparts–to have voices more their own.

However, the story is engaging, with one mystery spilling into another and the progression of it is nicely handled with no sudden incomprehensible jumps as the reader is kept nicely informed of progress all the way. There was one glaring error I spotted, and that was Alasdair speaking of the Aunt’s will a couple of pages before said aunt and said will had even been discovered by Toby, but that was all. The editing slipped a little here and there, with a few missing punctuation marks, and the wrong homonym used at one point.

But as a piece of entertaining crime-solving fiction, I recommend it highly, the protagonists are amusing and sweet in turns, although the sex was a little over-stylised for me (compared with the more subtle and almost glossed over scenes in the first story) but the mystery rumbles along at a good pace never making the reader bored.  I could quite easily see these characters having their own series of books, but I hope that doesn’t happen and that Ms Cochrane investigates and develops the growing power of her writing as shown in “This Ground.”

It’s just that overall, I couldn’t gel the two stories together, I think I would have liked (as in Ginn Hale’s Wicked Gentlemen) two novellas relating to the same characters, or–if about two sets of people–two novellas more similar in tone. Not necessarily both about the Great War, but The Case of the Over Protective Ass didn’t have the impact it should have if it had been a readalone, because of the power and strength of the first story.

I liked both stories, but have to give “This Ground” a resounding five stars, as I couldn’t get it out of my head afterwards but “The Case of The Over Protective Ass” only gets a four. Overall, the duet of stories gets a 4½ and a highly recommended.

Buy at AllRomance ebooks    Amazon UK  Amazon USA

Review: Vagabond Heart by A J Llewellyn

Book one in the Pearl Harbor Series

Gay prostitute Tinder McCartney thought he had it made in WWII Honolulu…until true love and an attack on Pearl Harbor turned his life upside down.

Tinder McCartney is the only gay male prostitute working in Honolulu, Hawaii during World War II. Like the 200 female prostitutes who live and work on Hotel Street, he services the armed forces drifting in and out of the islands. His life and work are controlled by the local police, yet because the cops don’t think that there can be that many ‘depraved’ men wanting the comfort of another man, Tinder is not only busy, but often in danger.

Living by very strict rules enforced by the police, Tinder cannot own or drive a car or bicycle, can’t ride street cars or be seen in the company of other men. He can’t visit bars or restaurants or swim at Waikiki Beach. Savagely attacked by two men one night, he is rescued by a local businessman, Jason Qui, the son of a Chinese immigrant and a former New England missionary.

Jason is not Tinder’s usual type. But Jason offers to protect and house him. It seems like the ideal business arrangement until Tinder’s Vagabond Heart can no longer handle the arrangement… and then on December 7, 1941, Pearl Harbour is attacked, turning the entire world upside down.
Review: by Sally Davis
Cool blue cover that does the job pretty well in that the models conform to the characters in the book and there’s a battle ship and aircraft to boot. Neither of the boys look particularly happy but then neither are in particularly happy situations.
Tinder is the one most likely to invite sympathy. He has returned to Hawaii from San Francsico, abandoning his career as an architect, to attend the funeral of his beloved mother. His father is involved with a woman Tinder detests, who is intent upon destroying all Tinder’s childhood memories. Jobs are hard to come by and his father has no money to spare so Tinder has taken the only available job – a prostitute working for a highly-regulated, government sponsored establishment.
Tinder has a lot in common with Cinderella – the wicked stepmother, the soul-crushing job – and only lacks the handsome Prince. Enter Jason Qui who has spotted Tinder, made enquiries and books him for private sessions much longer than the house regulated three minutes including washing ‘equipment’.
Jason is rich, the head of a successful business, has the love of his family and it seems as though he should be happy enough. But it is time for him to marry and Jason has no taste at all for women. Tinder, however, he does favour and soon they are deeply in love with each other.
There’s more to the story than just a love affair. There is the day by day count down to the Pearl Harbour attack and it’s aftermath. There is also a subplot to do with Jason’s business, but the story focusses on the two protagonists. As one would expect with a story about prostitution there is a lot of sex but the short mechanical acts in the ‘house’ on Hotel Street are contrasted nicely with Tinder and Jason’s more elaborate love play.
I know very little about Hawaii or Pearl Harbour, and even less about the businesses on Hotel Street during World War Two. I know a lot more now, which is good in one way – I love to come away from a story about an unfamiliar period of history feeling that I’ll carry some information with me – but in others leads to me a fairly minor criticism. The author has clearly done huge amounts of research to get the background, locations, history, settings of the island as accurate as possible. I really appreciate seeing that an author has put this amount of effort into it, but from time to time the way it is presented is clunky – almost guidebookish – and it distracted me from the narrative. The big quibble – that one of the military endorsed brothels would have allowed a male prostitute to ply his trade – is dealt with in the prologue with a neat disclaimer.
This is the first story of a series, apparently, but can be read as a standalone.

Review: As Time Goes By by Anna Lee

In 1944, Matt Jackson, a wounded RAF pilot, ends up in the Royal Infirmary after his squadron is attacked. When he meets Doctor Trynt Andrews, both men’s lives are changed with the instant connection they feel for one another. Alone and injured, Matt is invited into Trynt’s home and they become inseparable, finding a love they thought they never would. As the year goes by, their commitment deepens despite having to keep their love a secret. When Matt is deployed and his plane goes down during battle will all be lost? Or will he make it home to Trynt?

Review by Erastes

Ok. Here’s the thing. When you know a fandom, it’s very difficult to read a book that’s obviously converted fanfic when it hasn’t been converted well enough to expunge all traces of the original canon.  I know how difficult this is–I used to write fanfic, and I have two novellas at least that I’m very proud of, but the work involved in making them entirely unrecognisable as to where they came from would be as hard work as writing something entirely new–so I haven’t done it.

And in this case–which is obviously Torchwood fanfic, it’s a shame, because the writing is decent enough to carry a story throughout.

But when you have an RAF Captain Matt (with an RAF greatcoat that becomes a sexual object in itself) who falls in love with a dark-haired, blue-eyed Welshman–now called Trynt–and then you have an assorted cast who are obviously name-changed versions of Torchwood’s cast: Gwen becomes Wynne, the gap-toothed Welsh nurse; Toshiko is now Kimioko,  Trynt’s room-mate etc etc–then I for one have difficulty reading it as an original story at all because I’m translating it back to fanfic in my head.

OK. Putting that aside, I couldn’t like this book at all. The writing is perfectly serviceable, no complaints there, but it’s just far too saccharine for my, and I’m guessing many people’s tastes.

Captain Matt wakes in a hospital after a terrible accident with his squadron where everyone has died, including his own lover and he almost immediately falls in love with his doctor, who of course, falls almost immediately back in love with him. The two men are femininely  sensitive to the point of hysteria, fall in love instantly and are touching, kissing, hugging and weeping on each other’s shoulders within a day of meeting. All this in a hospital in 1944…

There then follows half a book of their relationship building. This consists of Matt recovering–having moved in with Trynt and them having long girly talks, sleeping together but not actually doing anything. But there is a lot of talk and weeping. For the first 25% of the book one or other of them is just about crying on every page. It was ludicrously inconsistent with a doctor and a flight captain, and also was out of character for the fanfic counterparts.

Here’s just one sample of this overblown schmoopiness: (this conversation is happening during penetration while Matt rides Trynt’s cock)

“I know our love is strong enough to outlast whatever this war throws at us. And despite it, I promise I will do everything I can to make you happy and give you the life you want.”

“You already have, Matt.” Trynt began to thrust slowly as he held on to Matt. “All I want is a life with you. I want all the plans we just made.  And I won’t let anything stop us from having them; we’re going to build that life together. I know our love can overome whatever happens.”  He cupped Matt’s face in his hands, gazing into his stormy blue eyes. “And you’ll never be alone again. I’ll always be here for you, loving you with all my heart and making you happy. I didn’t know what true happiness or love was until you came along, now it all makes sense. You’re my whole word Matt and I couldn’t love you more. And I certainly couldn’t ask for anything more than to be here with you just this,” he admitted, then kissed Matt passionately, pouring all his feelings into the kiss.

“I love you too.” Matt slowly lifed himself up and then back down on Trynt’s cock. “Always, Trynt.”

“Always,” Trynt vowed.

This type of conversation goes on for pages, as does the sex which is very coy, to be honest. The author clearly has a problem with using more graphic terms, so there’s lots of “warm passages” and the like. The one that make me want to throw my Kindle against the wall was “essence” for sperm, and essence is used a lot. There’s much fanfic cliche too, the characters are always saying “Come for me” in fact they pretty much say it at every orgasm, and in fact the sex is quite repetitive although some might find it arousing.

As for an historical grounding, there is hardly any. We are told a war is going on, and Matt pops off in between injuries then comes back and “recovers” a bit more which involves sex, massages, wine(!), coffee(!), but you never get the atmosphere of London at war. Rationing is mentioned, but there’s no real impact of it in their day-to-day life.  They drink wine, and in one scene–in December–they eat lasagne and have strawberries for dessert. Words fail me. Where would they have got the strawberries from? Spain? I think the author lost control of her own timeline at this point, as she had them planning a picnic shortly afterwards.

1944 was a hugely important time in London’s war as the V2 rockets were fired at the city–look at this map here–but there’s no mention at all of any bombs, or indeed of anything much. I found this amazing, because the devstation was immense. Selfridges, Speakers Corner and Holborn was all bombed, but Trynt doesn’t seem to notice.

Matt’s involvement in the war is very confusing too. We are told he’s the captain of a squadron, and that he flies Spitfires, but we are also told that he leads bombing raids, and is also fighting on the ground with the infantry. In fact there’s so much wrong with the military details I’m not even going to discuss it.

Then there’s the OKHomo. Unsurprisingly really, seeing as this is converted Torchwood fic, but in 1944 London it’s absolutely mad. Everyone knows and just about everyone lurves the idea of it, understands it completely and the one person who doesn’t has something over him–blackmarket activity–which prevents him doing anything about it and he’s won over by the homo-love by the end anyway. The author makes a sop to having Matt and Trynt be careful in public but it’s purely pasted on, as their behaviour would be obvious to anyone.

And that’s about it, really. Conflict happens about 60% of the way through, which calls for a major crying jag from Trynt as the melodrama is plastered on with a trowel. The conflict lasts for about one chapter, though and the remaining 25% of the book is taken up with the inevitable HEA which loses a lot of its impact because how could they be any more soppy and romantic than they already have been almost on every page?

So, no. I didn’t like this book at all. It had just about every aspect of m/m that I dislike and layered it all up so thickly I felt like giving up.

IF you can handle the constant weeping, pages of declarations of love, long talky sex, constantly crying men on a wallpaper war background with decidedly shaky historical accuracy–and IF you don’t already know the Torchwood fanon, then you might like this. But I’m sorry, I didn’t.

Manloveromance books

Review: Raised by Wolves 3. Treasure by W.A. Hoffman

Gay buccaneer historical adventure/romance. The third novel in a series chronicling the adventures of Will, a disenchanted English Lord, and his beloved matelot/partner, Gaston, an exiled Frenchman, set among the buccaneers of Port Royal, Jamaica, in the 1660s. In this volume, the men ponder the true definition of sanity and the necessity of compromise in the name of love while contending with the arrival of Gaston’s father, their potential inheritances, the political machinations of Will’s father, Henry Morgan’s ambition, a bounty upon their heads, unwanted brides, and an unexpected child.

Review by Sally Davis

Honestly, you can’t go wrong with a Howard Pyle image on the cover of a novel about buccaneers! This 19th and early 20th century artist is responsible for a lot of our most enduring images of the period, his style being instantly recognisable. Very good choice.

I’m a big fan of the late 17th and early 18th century, a time when boundaries were being pushed in all kinds of interesting ways and the building blocks of modern thought were slowly and painstakingly being laid down. Great leaps were being made in science, politics, philosophy, medicine and man’s relationships with God. The buccaneers society of the 17th century was one of the more fascinating experiments, arriving at a form of democracy and satisfying emotional needs with formal same sex unions, and proving its worth over many decades. Any novel set in this era should make at least some attempt to address some of the above, but in additon, Hoffman takes a long hard look at how those unfortunate individuals suffering from mental illnesses were treated both in and out of society.

The amount of research that went into this novel is plainly to be seen. It is even written in a period appropriate style – the narrator’s voice and the descriptions of Will and Gaston’s life on Negril reminding me of Robinson Crusoe. I’m not familiar with ancient Port Royal but would lay money on the street names and distances between points being spot on. Ship names too and the over all progression of events on Morgan’s ramshackle expedition to Maracaibo were comfortingly familiar.

But this is fiction too. Will and Gaston, both noble, both emotionally damaged, one dangerously psychotic, tread a fine line as they attempt to negotiate with local government, other buccaneers, unwanted wives, much wanted babies, puppies, the sudden arrival of Gaston’s father and his interference in their affairs and the discovery that Will’s father, who appears even more psychotic than Gaston, has put a bounty on Gaston’s head. Add to that their involvement with Admiral Morgan’s expeditions and that’s a lot of plot to cover. It’s as well that this book is long – 550 pages.

Most of the first 400 pages are taken up with family matters, as described above. Will has an alcoholic and very pregnant wife, Will’s sister, Sarah, is pregnant, Gaston’s father wants a reconciliation and he also want Gaston to marry. All these stresses and strains need to be juggled without pushing Gaston into a violent episode of madness. A combination of love, laudanum, coercion, Platonic philosophy and BDSM is prescribed, to no avail, leading them to take ship to join Morgan for the last 150 pages.

There is a lot to like here but I struck an overwhelming snag – I just couldn’t warm to the narrator. I wanted very badly to like Will but I found him manipulative, reckless, smug and selfish. The personality fitted very well with the period and some of his attitudes, particularly his brutal contempt for women, rang very true. But he displayed little care for those he professed to love, even endangering Gaston. He knew he was putting them in danger, had plainly made a habit of it, but accepted their help as his due. Also, I found the continual discussions between the lovers, their adherents and enemies somewhat tedious. The reader is told huge amounts, some of the conversations go over the same ground time and again, and the action is crammed into little snapshots between. I feel that if the book had been red penned down to a tidy 400 pages with a bit more emphasis placed on buccaneering it would have been worth an excellent 4.5 stars. As it is, it’s good – 3 stars – but I feel no urge to read the 4th in the series. However, I will read the first, hoping that all the exciting military stuff happened in that one.

Author’s website

Amazon UK    Amazon USA

New Titles added to The List

We apologise for the slight break in reviews, I’ve been unwell, and the other reviewers have been ill or busy in other ways, we’ll be resuming soon.

In the meantime, here’s a list of the titles added to The List in the last month.

Moffie by Andre Carl van der Merwe – 1970′s South Africa

The Men of Buckshot Ranch: Jay by Xondra Day – 1880’s Montana

The Egyptian Slave by Alcamia Payne – Ancient Egypt

 History’s Passions-Stories of Sex before Stonewall – Various

By Honor Betrayed by Alex Beecroft – Age of Sail

Half a Man by Scarlett Blackwell – post WW1

Gladiators 4: The Next Generation by M J Manly – Ancient Rome

The Russian Boy by Neil S Plakcy – 1912 Europe

Butterfly Dream by Dave Lara and Bud Grundy-WW2 concentration camp

Rendevous at the Palmeraie by Jay Starre – 18th Cent Marrakesh

Falling in Love with the Enemy by Katrina Miller – 19th century America

Stuck Rubber Baby by Howard Cruse – 1960’s America

Christopher and his Kind – Christopher Isherwood – 1930s Berlin

The Gladiator’s Master by Fae Sutherland and Marguerite Labbe – Ancient Rome

Leopards in the Garden by Nathaniel Burt – 1920 France

An Idol for Others – Gordon Merrick – WW2

Landscape Memory by Matthew Stadler 1914 San Francisco

Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo Artist, and Sexual Renegade  Justin Spring

Lions and Shadows by Christopher Isherwood – 1920s

Quatrefoil  James Barr 1946 America

Valiant One by Jay Hughes – 13th century england

Review: The Lilac Tree by Marion Husband (short story)

The Lilac Tree is a short story included in Marion Husband’s short story collection “Six Little Deaths” dealing–as the title suggests with the subject of death.

The only gay historical story, The Lilac Tree, is a reminiscence of an elderly man–in a care home, or rented accommodation, being looked after by non-relatives who has nothing much but memories to bring any sunlight into his life. A child asks him an innocent question, and although the answer to that question is “no” it triggers bittersweet memories of a fleeting but intense first love with an officer in World War One.

Husband’s writing is always a delight to read, and this is no exception. It creates an atmosphere with the lightest of touches, says just enough and no more. We are taken from the old man’s life:

me, in my slippers and cake-crumbed cardigan

and transported, by the smell and sight of lilac, to that love affair, long long ago:

He waited for me beneath a lilac tree, the cigarette between his fingers sending its frail grey wisps of smoke to the pale blue sky.  He smoked cigarettes until there was nothing left of them except the stain on his fingers and when he kissed me the taste was pure tobacco.

For a short story it packs a punch, although one expects the sadness, it doesn’t make it any less poignant. The saddest part was the young man living his life and still remembering this as such a vivid memory. I wanted him to have more vibrant memories to erase it.

There are five other stories in the collection, and all are beautifully written, and for the price this is well worth getting and reading again and again.

Author’s website

Buy at  Amazon UK      Amazon USA

Review: A Devil’s Own Luck by Rowan McAllister

William Carey has played many roles in his thirty-two years of life. Though born to privilege, he fled his disapproving family and, purely out of spite, devoted himself to a life of danger and infamy. William never thought twice about his self-destructive behavior until he met a passionate woman who showed him how to harness his rebellious nature and return to London, his family, and society as a respectable gentleman of fortune.

But William’s beloved wife is six years gone, and with her his joie de vivre. William devotes his days to the pursuit of empty pleasure until the night William’s brother asks a small favor by which William meets a young man who ignites a spark in him he’d thought long extinguished.

Stephen is fiery and passionate, handsome and mysterious-exactly what a fallen devil needs to stir the ashes of his heart. Unwilling to lose that spark now that he has found it again, William devises a scheme to claim Stephen for his own, but Stephen is beyond reluctant, with another benefactor and secrets he will not share. William will need more than cunning to win Stephen’s trust and love. He’ll need all the luck he can get.

Review by Erastes

This had an interesting premise, if a little bit tropey—personal companion being “lent” by someone to the main protagonist in exchange for a debt/hate and loathing inevitably turn to lust and then lurve—but I found it hard to get past the opening chapters to find out this much.

The opening I found very stodgy, and the exposition was hard going as it was almost entirely exposition. The beginning chapter was a bit bloated and made the mistake so many books do of explaining so much about the protagonist in one lump instead of just Getting On With The Story. We are told so much and not shown it, when the first section of infodump could have been handled with just one conversation between the rakish William and his pompous brother Horace. In fact it was a good 11 Kindle pages (hard to tell with ebooks!) before a fact popped up to make this possible a different kettle of fish to so many stories set in London 1820.

Sadly, the first chapter goes on in this vein, telling us so much that I began to find it rather tedious. We are told about William’s wife, Williams’ “secret house (which bizarrely he lets his brother’s carriage drive him to) where also bizarrely his his servants, Stubbs and his wife, live and then, when the second chapter opens, he’s at the opera and we missed out on the Stubbs interaction!

The second chapter doesn’t open any more promisingly. We are told how he had

“regretfully informed each of them (three women of easy virtue nicknamed the merry widows) that he had family matters to attend to, they had whispered promises in his ears and ghosted fingers across his body at every possible opportunity.”

This all would have been better as showing. Added to the fact that William has—when entirely alone and: in order:

Chuckled to himself
gave a small wicked smile
Shivered in mock revulsion
Gave a self satisfied grin
Shook his head
Stroked his chin
Shuddered
Smiled sadly
Shuddered (again)
Grinned a little (in a graveyard)
Grimaced (again)
Groaned and adjusted himself
Smiled in spite of his discomfort
Grimaced in distaste (again!)

I seriously fear for his sanity—or his safety because anyone spotting him GURNING the way he is would consider him possessed. All this in just over one chapter. I wish authors would use their observation and see how people behave when they are alone. They don’t groan, smile, grimace etc etc. Not normally, at least and this just makes him look like a loony.

Then when he does seek out the man he wants to get some letters back from – guess what? There’s oodles of more DESCRIPTION. I can honestly say that by this point I was screaming at the book, wanting some actual showing, a conversation – anything. Not just page after page of description. In fact the entire scene of him arriving at the club and seeing his quarry, all of this is dealt with in description. It’s just too much.

However, when eventually something starts to happen it turns into a solid readable erotic romance which I’m sure that readers of the genre will like–and it does improve so much I’m kind of wondering how the beginning wasn’t clubbed by the editor.

The main protagonist, William, is just the kind of hero I like, a bit morally ambiguous, with a dark past who is street savvy and has feet in society and the mean streets. I didn’t mind the instant-love reaction he has to Stephen, because he’s been alone, playing the dissolute loner, for a long time since he lost his much-beloved wife. Despite the stodgy start, I found myself eventually really wishing him well and 80% through the book actually worrying how this would be achieved, despite knowing that it would.

Stephen could have been presented as a weepy wailing omega, but he isn’t. He’s fiesty, angry and prickly–William calls him his hedgehog and prefers him prickly to anything else.

There’s secrets which are (quite rightly) not revealed until the end, and by that point I was totally enjoying the book.

Technically there were a few issues, the editing isn’t top notch, American boo-boos here and there like “block” and “whiskey” and “gotten” but I have to say that despite the doughy beginning I enjoyed reading this and if you like a very erotic gay Regency, you’ll like this a lot.

Details about Rowan McAllister

Buy at: Dreamspinner Press

Review: Midnight Dude by Various

18 wonderful stories by 18 talented authors. A cornucopia of gay themed short fiction and a showcase of the talent of the authors at AwesomeDude. Most of these stories were written specially for this anthology, whilst just a few are favorites from the site. There is something for everyone: from fantasy and stark realism, to War stories and sports, humor and pathos, angst and passion. (the review refers only to the two historical short stories within the anthology)

Review by Jean Cox
“Midnight Dude: Selected Readings” is an anthology of stories, two of which are historical.

“Some Enchanted Evening” by Tragic Rabbit: A love story to die for. Set in a decaying country house this intense and atmospheric story will pull the reader into a world of the liminal.

“A Flower In France” by Bruin Fisher: War’s brutality and how that can touch those who experience it is graphically illustrated in this moving story.

I’d read Bruin Fisher’s contribution to “I Do Two” and enjoyed it greatly, so was looking forward to this one. “A Flower in France” tells the story of an English Tommy who finds an unexpected sympathy for and empathy with one of the enemy, against the backdrop of WWI trench warfare.

On the positive side it illustrates the author’s variety; the light hearted tone of “Work Experience” is here replaced by serious notes for a serious subject. The hero, Godfrey, is complex and interesting—I wanted to find out a lot more about him—and his wonderful pragmatism shines through. He’s typical of the wartime generation who just got on with things without grumbling. There are scenes of great power and great tenderness in this tale and some particularly powerful images.

On the negative side, the story could have been three times as long; the development, especially of the post war scenes, felt rushed. I kept thinking there was a novella length (at least) story to be told, with the WWI part as the prelude.

Bruin Fisher can write very well—I’d like to see him really develop a longer story.

“Some Enchanted Evening” is set in both early and mid twentieth century America. The author, Tragic Rabbit, has an elegantly descriptive style; the prose was absolutely breathtaking at times, which is in keeping with a story that feels more like a fairy tale than the average gay historical short. The ghostly aspect of the second half of the tale adds to the air of mystery.

Christian’s slow awakening to his feelings in 1910 is contrasted with that of Thomas in 1962, observed by Christian’s spirit. The interaction between ghost and human, which could risk appearing absurd, is well depicted, as is (generally) the contrast between the two eras and the similarity of the young men’s experience.

This is such an unusual story I can forgive the overabundance of contemporary references (brand names, chart songs) for the 1962 segment, which contrasts with a lack of the same sort of references for the earlier segment. However, like “A Flower in France”, “Some Enchanted Evening” rushes to its conclusion; the ending would have been better had it been at the same pace as the rest of the story.

Overall, I came away with the feeling that both of these would have benefitted from a harder copy edit, which could have transformed a pair of good stories into excellent ones.

The issue with both stories’ endings might have pulled the final star rating down, but the overall quality of the writing (and the fact the anthology contains at least one non-historical story which alone would justify reading the book) deserves four stars.

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