Driven from his family when his sexuality is exposed, Jonah discovers drama, passion, and intrigue in a traveling carnival–and in the enigmatic owner, Rafe Grimstone. The preacher’s son and the lord who’s rejected his former life in England feel the heat of attraction from the moment they meet. Open-hearted Jonah is willing to risk hellfire and damnation for brief moments of pleasure with Rafe, but the older man is frozen in a past he can’t escape no matter how far he runs.
As Rafe struggles to choose between responsibilities of his present and his past, mysterious accidents assail the close-knit community of the carnival. Will the perpetrator be revealed before the traveling show is ruined, and will Rafe finally reveal his true self to Jonah or continue to mask his identity like the changing images in a house of mirrors?
Review by Erastes
I have thoroughly enjoy past forays by this talented team of writers and I jumped into this headlong, seduced by their past skill and the fact that I am a big sucker for circus stories.
I wasn’t disappointed. I liked the length–around 160 pages. It doesn’t rush into things and events are given time to mature, characters given space to develop. Secondly it takes the carny/circus theme and really runs with it. Rafe’s outfit isn’t a great big one like ones shown on Hollywood films, it’s a real “dog and pony show”–the “headline” act being just that, a dog and pony turn, there’s a magician, a strong man, a knife throwing act which perform in the show. In addition to that there’s the “freak show” which is hardly that at all. Over the past little while, they’ve lost their dwarf, and although he hasn’t told the Carny “family”, Rafe knows the show is losing money.
It’s a sad little outfit, to be honest which travels around Ohio, part of Indiana, and Kentucky. Playing to people who’s lives are so bleak and hopeless and miserable that even a poor little show with nothing much more than a couple of tents seems like something miraculous. There’s a scene at a funeral where this is so beautifully described you can see the por fabric of the people’s clothes, feel every bone in their starving horse’s ribs–people who are awed by the simplest of things, and grateful for it.
It’s this “Grapes of Wrath” level of detail that I loved most about the book; the main two characters, Jonah and Rafe are interesting, but they didn’t catch me on fire, and the romance was pretty predictable. However it’s solidly done, and no one will be disappointed by the set up and completion of the love story. However, the other characters in the book were the genius touch. Mindy, the sour-tongued and loyal daughter of the previous owner, Sam the giant with health problems, the nebulous Parinsky, and Jamie the pretty woman with a big crush–and many others. None of them are skimped in favour of the main romance, and when something happens to one of them I freely admit I found myself crying without even realising it.
There’s a nice mini-mystery thread that runs through, and even with the limited pool of suspects the clues led me to the wrong suspect–and that pleases me.
What I didn’t like was (to me) a rather unsatisfactory ending. It seemed to go on for too long, as if desperate to assure the reader as to what would happen next and how. I found it unnecessary and bulky. I can understand the reasons why all the ends had to be tied up but after such deft and subtle storytelling it felt like the publisher had said “You can’t end it there, please let’s see what happens afterwards.”
But for all that, I find this a really well written book. Dee and Devon go from strength to strength and the maturity of much of the writing in this book is simply wonderful. I have one plea. If Loose I-D don’t own the print rights to your books, girls, then please offer them to a print publisher because they will be keepers for many, me included.
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