Review: The Master of Seacliff by Max Pierce

It is 1899, and young Andrew Wyndham has accepted a position tutoring the unruly son of wealthy industrialist Duncan Stewart in the hopes that the work will be brief yet provide an avenue to pay for his passage to France to study art. But Seacliff is a dark and eerie mansion enshrouded in near-eternal fog, dark mystery and suspicion-perhaps a reflection of the house’s master. An imposing Blackbeard of a man, brooding Duncan Stewart is both feared and admired by his business associates as well as the people he calls friends, for Stewart may have murdered his own father to gain control of his business.And his home, in which Andrew Wyndham must now reside, holds terrible secrets-secrets that could destroy everyone within its walls. 
Review by Erastes

This book has been reissued by Lethe Press, and was originally reviewed in 2007

It’s not going to be a surprise to anyone that I enjoyed this book.  I was positively drooling when I got the book in my hands and excited when I opened it.

If you are looking for an erotic romance, then you’ll be dissapointed by TMOS, but if you want a solid, multi-layered mystery chock full of quirky characters, death and over-arching gothic Doom, red-herrings and a surprise denouement, then you’ll like this as much as I did. (Oh and a lovely romance too…)

From the outset, the plot is familiar to those who have already read books such as Jane Eyre and Gaywyck. Young and innocent (not-quite-yet-aware-of-his-sexuality) Andrew gets a job as tutor to Stewart and we can already see where the story is going. However Pierce isn’t going to let us off that lightly and he throws so many obstacles in our protagonists way that you begin to wonder if they are ever going to get together.

It’s a refreshing change to see so many secondary characters; Pierce doesn’t stint with them, and each one is fully rounded, different and has his or her own story to tell. Also, in the tradition of the Golden Age of Agatha Christie, nearly every single one has a motive in the dark secret that overhangs the house of Seacliff. There are flashes of Rebecca here, with an obsessed and creepy faithful retainer, touches of Jane Eyre but never so much so to annoy, it was always its own story.

I was impressed also, as to the many threads of the mystery that were woven together, one after another until I was thoroughly convinced of the guilt of the person that everyone else thought it was. Bravo, Mr Pierce. There’s nothing I like more it’s being led by the nose to the throroughly wrong conclusion!

Andrew might be young, but he’s not a shrinking and fainting heroine type. He’s a little sensitive; he tends to hug-a-lot, and he cries from time to time but he can stand his own ground too, which was something I appreciated. He has a lot to stand up against, too, as Duncan is a difficult, prickly (and very hairy!) man and he tries to push Andrew away more than once. I liked Duncan’s persistence and his wanting to do the right thing, even when he had the opportunity to get away from a frankly difficult and dangerous position.

There’s the inevitable OK Homo, I’m afraid, not only that, you begin to wonder if anyone in the world is straight at one point – but that didn’t spoil this book when the same thing had spoiled other books for me. In this twisted, remote and decadent world that Pierce paints it doesn’t seem unusual and the reasoning behind the homosexual relationships are believable.

Previously published by Harrington Press’s Howarth Press at a time when their future was in the brink, this book has always deserved a wider audience and a better publisher and I’m very happy to see Lethe Press pick this up and run with it. I hope you try this book. You won’t regret it, as if you enjoy a really good gothic romance with all the trimmings – perfect for curling up with on a foggy night – then you’ll like it a lot. I certainly did.

Author’s website

Amazon UK    Amazon USA (available as paperback and ebook)

5 Responses

  1. You know, after reading this review I think I’ll have to pull this book from the shelf and give it another go! (Interesting to see how the dust jacket design has been adapted/changed from the original.)

    The only negative about this book is its lack of originality—–it borrows excessively from Victoria Holt’s (straight) gothic novel “The Mistress of Mellyn,” as well as Vincent Virga’s “Gaywyck.” (it REALLY borrowed from the Holt book.) But what the heck—I enjoyed it enough that I really can’t complain…

  2. I thank you all for your support of my book and kind words. ‘Mishmash’ is exactly how i describe TMOS’s plot. On Speak Its Name’s Facebook page, I went into some more detail about the new cover art and how that came to be. I also posted it on TMOS’s Facebook page, if you are not aware of its existence. Thank you again.

    MTP

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