It was supposed to be simple.
All struggling actor Carlo Baresi had to do was pick up a man in a taxi, drive him to the location he specified, then report where he’d taken him. The only problem is, the man isn’t who he claims to be…and they both know it.
Bookstore owner Joe Donnelly has a reputation for helping those in need, but this plan has been a bad one from the second he stepped in. Discovering someone has switched out the taxi driver is one more complication he doesn’t want, especially since Carlo is the kind of distraction that can get a man in serious trouble if he’s not careful.
But the men have something in common other than their mutual attraction. They’re both loose ends, struggling to find out what is really going on.
And murder is always complicated, even when you’re on the same side..
ebook – 144 pages
Review by Erastes
Ms Dean has had me as a fan for a good while, although it’s been a while since she published a gay historical, and I’ve missed her. This was a very enjoyable read I’m glad to say!
I love Noir, I’m a big fan of Bogart and Marlowe and Spade and all that, so I was looking forward to a New York 50’s vibe and in that, I’m afraid, I was a little disappointed. There’s not enough immersion into the era. Dean lost an opportunity here–possibly by sticking to a more traditional for a romance two-POV style rather than a first person narration–in really steeping the story in a Noir feel. Part of the prop shafts for great Noir are mouth watering descriptions of clothes, guns and cars and the reader is short-changed in all these departments. There’s rain, which always adds to the genre, lots of rain and in that respect it’s atmospheric but it could have gone a lot further to really bring out the flavour of the era.
It’s a good plot, although the mystery did confuse me rather, which starts with a great scene of a switched driver and a different contact than the one Carlo was expecting which sets the scene nicely for the growing romance and the mystery. I liked Joe a lot more than I did Carlo–we learn a lot more about him, for a start. He’s beautifully flawed and having tasted tragedy in his life, professionally and personally, he keeps the world at bay. We know much about his character simply from the way he interacts with the people he knows–and doesn’t know. I felt that the “OK, now we are partners” aspect was a tad rushed–couldn’t quite see why Joe would have trusted Carlo quite so quickly, particularly after Carlo violates that trust pretty sharpish.
As for Carlo himself, I didn’t really get him at all. We know very little about him, not his past or his home life, or his past homosexual experiences. I couldn’t really warm to him the way I did Joe because of that, as by the time we are really inside his head he’s entirely smitten with Joe and that’s all he can think about.
The prose is good, as expected with this author, and there are quite a few phrases that were outstandingly beautiful and original which made me bite my lip in jealous fury that I hadn’t thought of this or that analogy or metaphor. The editing needed more work, but I’m used to that with Amber, it’s not a deal breaker, I just wish they’d pull their socks up and get editors who know the right place for a comma.
Once the relationship kicks in, it’s handled nicely and sparingly. The protagonists aren’t forever hard and aching for each other, there’s a major sex scene in the place where you’d expect it, and a glasses-fogging kiss scene which was–for me, at least–was hotter than any sex scene. It takes talent to write gorgeous kisses and not many people can do it as well as Dean.
Sadly, probably in deference to the “M/M conventions” there’s also a long sex scene after the denouement of the mystery which for me was unnecessary and didn’t interest me at all. I can understand the reason why this scene may have been put in, but my rule-of-thumb is: if you can take out the scene and it makes absolutely no difference to the plot, then it shouldn’t be there. This is appease the sex-lovers of the genre, but I found myself skipping through it to get to a rather more “pat” ending than I liked. I felt the true end of the book had actually happened naturally just before the sex scene which was probably why the sex seemed a little shoehorned in, as if the publisher said “One sex scene isn’t enough!!”
However, it is a well-written, well-paced book which I enjoyed reading. It might not be a keeper, but it gets a thumbs up from me. I have to say that the title baffled me though–what does it mean?